Angel-Rose Oedit Doebé (b. 1995, The Netherlands) is a Dutch-Surinamese visual artist based in Amsterdam. While her practice is rooted in photography, it extends to self-portraiture, installation, ready-made sculpture, and archival research. In addition to her visual work, she is active in activism, social rights, feminism, writing, and creative direction, and collaborates with children through creative initiatives.

​

Her work is shaped by her self-defined perspective, the angel-rose coloured glasses, a visual language that offers a critical commentary on marginalisation within white western society. Using a bold and satirical approach, she merges pop culture, camp, and activism with South Asian and Surinamese-Hindustani imagery to reframe dominant narratives and open space for alternative representation.

​

Material experimentation and research are central to Oedit Doebé’s practice. She explores how stories from the South Asian and Surinamese-Hindustani diaspora can be translated into spatial and tactile experiences. By investigating materials as carriers of memory and meaning, she constructs immersive environments and sculptural gestures that challenge established hierarchies and visual traditions.

​

Positioning her work as both artistic and social inquiry, Oedit Doebé creates spaces for collective knowledge, shared visual languages, and critical dialogue. In doing so, she claims space within structures that have historically excluded her, transforming personal and collective histories into new artistic dimensions.